We all have things in our lives that are terrible: you apologize for them; you wish you never had you name on it. But 'Teen Wolf' is something that I'm very proud of.

The best thing I can say about 'Teen Wolf Too' is that it's the only time anyone ever referred to me as Preston Sturges. Leonard Maltin wrote that 'Teen Wolf Too' made 'Teen Wolf' look like Preston Sturges. I've always prided myself on that.

I went to Columbia film school; that's where I met Matthew Weisman. We then became writing partners, graduated, and moved out to Los Angeles. I didn't know a soul.

Marvel is really about the stories of Peter Parker and Bruce Banner or Jessica Jones. These are - I'm hesitant to say the word, but - real people with real problems whose power comes, to use the great expression, with great responsibility.

The thing that makes us root for Spider-Man as he swings across the city is that he's either having the time of his life or worrying about whether he'll be able to get a good grade on that English paper or whether or not he's going to make it home in time for Aunt May to make his dinner.

It's such an enormously challenging process to make any kind of television. It's stressful and works towards getting the best out of creative people.

We always have a little comedy. It's the Marvel secret sauce. I think it's what helps Marvel resonate with the audience, that, yes, we're in the joke, too.

I really do see everybody at Marvel Television as storytellers. They might have different titles, but whether they're actors or they're showrunners or they're somebody that answers the phone, all of them are storytellers.

I started working as a movie writer and a movie producer... all the way back to 'Teen Wolf' and 'Commando.' All of those experiences, plus working both at DC and at Marvel - each of those things are bricks in the wall.

Believe it or not, every Marvel character is someone's favorite character. There's a fan out there who absolutely believes that their character should have their own television show.